da: The New York Times
LONDON — To think that all this time that poor old half-faced composer hasn’t been dead at all, just stewing in his lust for greater glory. Being the title character of “The Phantom of the Opera,” the most successful musical of all time, wasn’t enough for him. Oh, no. Like so many aging stars, he was determined to return — with different material and a rejuvenated body — to the scene of his first triumph. So now he’s back in the West End with a big, gaudy new show. And he might as well have a “kick me” sign pasted to his backside.It’s hard not to feel sorry for the Phantom, who has been uncomfortably reincarnated in “Love Never Dies,” which opened…